Our Current Members 

Harwood (Woody) Reimer  grew up surrounded by the sounds of piano and violin in his parents' home music studio.  Classically trained in piano at an early age he departed from music studies in high school in favour of athletic endeavors.  More than two decades later he started taking violin lessons along with his daughter.  For him the pursuit of sports, vocation in medicine and Christian family life are all enriched by music, which is a source of both listening and recreational pleasure. He has enjoyed playing in the Cowichan Camerata string orchestra since its formation.  

Eleanor Montour  is a retired teacher-librarian who enjoyed playing the piano and singing in choirs in her youth.  For her 60th birthday project she started learning to play her grandfather's 100-year-old violin, and for her 65th birthday she switched to the viola.  She loves playing in the Camerata orchestra, making new friends and learning different types of music.

Valorie Masuda

Valorie has been playing piano since early years.  She focused on voice training for 15 years and continued piano lessons.  After learning to play viola with her family, she enjoyed playing trios with her two sons (one on violin and one cello).  The three played in the Camerata 10 years ago but the boys are now off to university.  The family tradition continues with her husband taking up the double bass and her youngest daughter joining in with cello.  There's nothing better than getting together every week and playing with others!

Madelaine McLeod

Kenna Botterell grew up in Vancouver where she was classically trained in piano and voice.  She has sung in church and community choirs and continues to teach voice and piano privately.  In 2012 Kenna began taking cello lessons at Nanaimo Conservatory of Music.  2018-19 is her first year with the Cowichan Camerata Orchestra and she remarks, "I am enjoying it."

Alan J. Moore

Alan joined the orchestra in 2015, having taken up the upright bass a year before. A life-long lover of music of many kinds, he was always drawn to the underpinnings of music, including percussion and bass and was a longtime fan of Geddy Lee, the bassist of the rock band Rush. Prodded on by his very musical wife, and with distinct wifely direction of 'nothing electric' Alan started lessons in the upright bass and now works hard at keeping up with the very talented musicians of the orchestra.